The best 10 mirrorless camera lenses in comparison

Mirrorless camera lenses (1 - 5)
Sony 85mm F1.4 ZA Carl Zeiss Planar T*Olympus M.Zuiko ED 60mm F2.8 MacroSony 24mm F2 ZA SSM Carl Zeiss Distagon T*Fujifilm GF 120mm f/4 R LM OIS WR MacroZeiss Batis 85mm F1.8Zeiss Batis 25mm F2Sony FE 55mm F1.8 ZA Carl Zeiss Sonnar T*Sony 50mm F1.4 ZA SSM Carl Zeiss Planar T*Fujifilm XF 23mm F2 R WRSamsung NX 16-50mm F2.0-2.8 S ED OIS
Image
Sony 85mm F1.4 ZA Carl Zeiss Planar T*
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony 24mm F2 ZA SSM Carl Zeiss Distagon T*
Fujifilm GF 120mm f/4 R LM OIS WR Macro
Zeiss Batis 85mm F1.8
Zeiss Batis 25mm F2
Sony FE 55mm F1.8 ZA Carl Zeiss Sonnar T*
Sony 50mm F1.4 ZA SSM Carl Zeiss Planar T*
Fujifilm XF 23mm F2 R WR
Samsung NX 16-50mm F2.0-2.8 S ED OIS
Best price
Best price
General info
Metal mountA metal mount is generally superior to a plastic mount as it is more durable.
Metal mountA metal mount is generally superior to a plastic mount as it is more durable.
Weather-sealed (splashproof)The device is protected with extra seals to prevent failures caused by dust, raindrops, and water splashes.
Weather-sealed (splashproof)The device is protected with extra seals to prevent failures caused by dust, raindrops, and water splashes.
Maximum focal lengthA longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
Maximum focal lengthA longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.85mm
60mm
24mm
120mm
85mm
25mm
55mm
50mm
23mm
50mm
Prime lensA prime lens has a fixed focal length. In general, these are sharper, with a wider aperture.
Prime lensA prime lens has a fixed focal length. In general, these are sharper, with a wider aperture.
Reversible lens hoodThe lens hood can screw onto the lens in reverse so that you can keep it on your camera at all times, ready to use.
Reversible lens hoodThe lens hood can screw onto the lens in reverse so that you can keep it on your camera at all times, ready to use.
Total score for "General info"
Total score for "General info"
Optics
Built-in optical image stabilizationOptical image stabilization uses gyroscopic sensors to detect the vibrations of the camera. The lens adjusts the optical path accordingly, ensuring that any type of motion blur is corrected before the sensor captures the image.
Built-in optical image stabilizationOptical image stabilization uses gyroscopic sensors to detect the vibrations of the camera. The lens adjusts the optical path accordingly, ensuring that any type of motion blur is corrected before the sensor captures the image.
MagnificationA true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.
MagnificationA true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.0.1x
1x
0.2x
0.5x
N.A.N.A.0.14x
0.1x
0.13x
0.19x
Maximum angle of viewAt the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
Maximum angle of viewAt the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).29°
20°
84°
25.7°
29°
82°
43°
47°
63.4°
82.1°
Minimum angle of viewAt the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
Minimum angle of viewAt the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).19°
20°
61°
25.7°
24°
82°
43°
32°
63.4°
31.06°
Optical zoomThe zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.
Optical zoomThe zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.1x
1x
1x
1x
1x
1x
1x
1x
1x
3.1x
Total score for "Optics"
Total score for "Optics"
Aperture
Wide aperture (main camera)With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
Wide aperture (main camera)With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.f/1.4
f/2.8
f/2.0
f/4.0
f/1.8
f/2.0
f/1.8
f/1.4
f/2.0
f/2.0
Widest aperture at maximum focal lengthWith a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
Widest aperture at maximum focal lengthWith a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.1.4f
2.8f
2f
4f
1.8f
2f
1.8f
1.4f
2f
2.8f
Rounded aperture bladesSimilar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.
Rounded aperture bladesSimilar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.
Smallest aperture at maximum focal lengthA smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
Smallest aperture at maximum focal lengthA smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.22f
22f
22f
32f
22f
22f
22f
22f
16f
22f
Aperture bladesThe aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.
Aperture bladesThe aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.9
7
9
9
N.A.N.A.9
9
9
9
Total score for "Aperture"
Total score for "Aperture"
Focus
Infinity focusMany lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
Infinity focusMany lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
Focus motorLenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
Focus motorLenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
Silent focus motor built into the lensLenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.
Silent focus motor built into the lensLenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.
Full-time manual focusWith full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.
Full-time manual focusWith full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.
Minimum focus distanceThis is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.
Minimum focus distanceThis is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.0.8m
0.19m
0.1m
0.45m
0.8m
0.2m
0.5m
0.4m
0.22m
0.3m
Total score for "Focus"
Total score for "Focus"
Benchmarks
Sharpness resultThe sharpness result from the DxOMark set of metrics. This result is based on the MTF (modulation transfer function) measurement, and gives an overall indication of the sharpness of images produced by the lens. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
Sharpness resultThe sharpness result from the DxOMark set of metrics. This result is based on the MTF (modulation transfer function) measurement, and gives an overall indication of the sharpness of images produced by the lens. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.16P-MPix
N.A.13P-MPix
N.A.N.A.22P-MPix
N.A.N.A.N.A.N.A.
TransmissionThe transmission result from the DxOMark set of metrics. Transmission refers to the amount of light that reaches the sensor through all of the glass elements of a lens, with a lower TStop signifying more light. This is important as less light reaching the sensor can lead to the requirement of higher ISOs or slower shutter speeds. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
TransmissionThe transmission result from the DxOMark set of metrics. Transmission refers to the amount of light that reaches the sensor through all of the glass elements of a lens, with a lower TStop signifying more light. This is important as less light reaching the sensor can lead to the requirement of higher ISOs or slower shutter speeds. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.1.6TStop
N.A.2.2TStop
N.A.N.A.2TStop
N.A.N.A.N.A.N.A.
DistortionThe distortion result from the DxOMark set of metrics. Distortion in the lens refers to the variation of magnification throughout the image. More distortion will result in straight lines being recorded incorrectly in the image. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
DistortionThe distortion result from the DxOMark set of metrics. Distortion in the lens refers to the variation of magnification throughout the image. More distortion will result in straight lines being recorded incorrectly in the image. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.0.2%
N.A.0.3%
N.A.N.A.0.5%
N.A.N.A.N.A.N.A.
VignettingThe vignetting result from the DxOMark set of metrics. Vignetting refers to when the brightness of an image changes from the center towards the edges, resulting in darkened corners. A result of 0 is perfect and the image will have no vignetting. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
VignettingThe vignetting result from the DxOMark set of metrics. Vignetting refers to when the brightness of an image changes from the center towards the edges, resulting in darkened corners. A result of 0 is perfect and the image will have no vignetting. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.-1.5
N.A.-1.8
N.A.N.A.-2.5
N.A.N.A.N.A.N.A.
Chromatic aberrationThe lateral chromatic aberration result from the DxOMark set of metrics. Chromatic aberration is a type of distortion which results in color fringing along edges within the image. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
Chromatic aberrationThe lateral chromatic aberration result from the DxOMark set of metrics. Chromatic aberration is a type of distortion which results in color fringing along edges within the image. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.4µm
N.A.7µm
N.A.N.A.6µm
N.A.N.A.N.A.N.A.
Total score for "Benchmarks"
Total score for "Benchmarks"
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