vs
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
Top 5%683 points
Top 5%
Top 44%405 points
Top 44%
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0

Canon EF 24mm F/1.4L II USM vs Olympus Zuiko ED 35-100mm F2.0: 25 facts in comparison

1. widest aperture

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
f/1.4
Olympus M.Zuiko Digital ED 25mm F1.2 Pro: f/1.2
f/2

2. minimum focus distance

This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.
0.25m
Samsung NX 10mm F3.5 Fisheye: 0.09m
1.4m

3. Is a wide angle lens

A wide angle lens is great for capturing larger areas of a scene, such as when doing architectural or landscape photography.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
20% have it

4. has a silent focus motor built into the lens

Lenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
52% have it

5. minimum focal length

A shorter minimum focal length allows you to get more of the scene in the photo, and offers a wider angle of view than longer focal lengths.
24mm
Canon EF 35mm F/2 IS USM: 0.24mm
35mm

6. weight

1kg lighter.
650g
Canon EF 400mm F/4 DO IS II USM: 2.1g
1.65kg

7. Has focus motor

Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
87% have it

8. widest aperture at maximum focal length

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
1.4
Fujifilm XF 56mm F1.2 R APD: 1.2
2

9. Has rounded aperture blades

Similar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
68% have it

10. has or is a prime lens

A prime lens has a fixed focal length. In general, these are sharper, with a wider aperture.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
47% have it

11. optical zoom

The zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.
1x
Tamron 18-400mm f/3.5-6.3 Di II VC HLD: 22.2x
2.9x

12. Front element doesn't rotate

The front element doesn’t rotate. This is important if you use filters, as some such as polarising or gradient filters have to be orientated a certain way.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
53% have it

13. maximum focal length

A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
24mm
Sigma 300-800mm F5.6 EX DG APO HSM: 800mm
100mm

14. smallest aperture at maximum focal length

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
22
Pentax HD DA 560mm F5.6 ED AW: 45
22

15. Includes lens hood

It comes with a lens hood so that you don’t have to buy it separately. These are used to block strong light sources, such as the sun, from the lens to prevent glare and lens flare.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
63% have it

16. Can focus to infinity

Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
78% have it

17. Weather sealed

Device is protected with extra seals to prevent failures due to any kind of weather.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
30% have it

18. Has a metal mount

A metal mount is generally superior to a plastic mount as it is more durable.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
82% have it

19. smallest aperture at minimum focal length

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
22
Pentax HD DA 560mm F5.6 ED AW: 45
22

20. minimum angle of view

At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
84°
Tamron SP 150-600mm F/5-6.3 Di VC USD: 2°
12°

21. aperture blades

The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.
8
Sony Planar T* FE 50mm F1.4 ZA: 11
9

22. magnification

A true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.
0.17x
Leica Vario-Elmarit-SL 24-90mm F2.8-4 ASPH: 14x
0.09x

23. Is a telephoto lens

A telephoto lens allows you to zoom in on far away objects. This is particularly useful when you need to photograph a subject from a distance, such as wildlife photography, or even in some cases street photography where you can’t get near the subject.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
43% have it

24. Has full-time manual focus

With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.
Canon EF 24mm F/1.4L II USM
Olympus Zuiko ED 35-100mm F2.0
69% have it

25. maximum angle of view

At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
84°
Leica APO-Summicron-SL 75mm f/2 ASPH: 318°
34°

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