75points
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
99points
Zeiss Batis 25mm F2
Comparison winner
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37 facts in comparison
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II vs Zeiss Batis 25mm F2
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
Zeiss Batis 25mm F2
Why is Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II better than Zeiss Batis 25mm F2?
- Has built-in optical image stabilization?
- Has a silent focus motor built into the lens?
- 140g lighter?
195gvs335g - 0.05m shorter minimum focus distance?
0.15mvs0.2m - 25mm longer maximum focal length?
50mmvs25mm - Front element doesn't rotate?
- Has rounded aperture blades?
- 9mm shorter minimum focal length?
16mmvs25mm
Why is Zeiss Batis 25mm F2 better than Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II?
- Can focus to infinity?
- Weather-sealed (splashproof)?
- 42.86% wider aperture at minimum focal length?
f/2.0 vsf/3.5 - 3.6f wider aperture at maximum focal length?
2fvs5.6f - Has or is a prime lens?
- Lens hood is reversible?
- Includes lens hood?
Price comparison
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
| Product | Store | Price | |
|---|---|---|---|
| Fujifilm XC 16-50mm f/3.5-5.6 OIS Lens (...Fujifilm XC 16-50mm f/3.5-5.6 OIS Lens (Black) (Bulk Packaging) | $370 | ||
| Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount...Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount Retractable Zoom Lens (Bulk Packaging) | $155 | ||
| Sony SELP1650 16-50mm OSS Lens: Sony E P...Sony SELP1650 16-50mm OSS Lens: Sony E PZ 16-50mm f/3.5-5.6 OSS Lens (Black) + Pro Starter Bundle Kit Combo - International Version (1 Year Warranty) | $165 | ||
| Fujifilm 50-230mm f/4.5-6.7 XC OIS II Zo...Fujifilm 50-230mm f/4.5-6.7 XC OIS II Zoom Lens (Black) | $349 | ||
General info
A metal mount is generally superior to a plastic mount as it is more durable.
The device is protected with extra seals to prevent failures caused by dust, raindrops, and water splashes.
We consider a lower weight better because lighter devices are more comfortable to carry. A lower weight is also an advantage for home appliances, as it makes transportation easier, and for many other types of products.
A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
A prime lens has a fixed focal length. In general, these are sharper, with a wider aperture.
A telephoto lens allows you to zoom in on far away objects. This is particularly useful when you need to photograph a subject from a distance, such as wildlife photography, or even in some cases street photography where you can’t get near the subject.
The front element doesn’t rotate. This is important if you use filters, as some such as polarising or gradient filters have to be orientated a certain way.
The lens hood can screw onto the lens in reverse so that you can keep it on your camera at all times, ready to use.
A macro lens is used to take very close-up photos, allowing you to capture flowers, insects etc. in great detail. A macro lens is any lens with 1:1 magnification.
Optics
1.has built-in optical image stabilization
✔Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
✖Zeiss Batis 25mm F2
Optical image stabilization uses gyroscopic sensors to detect the vibrations of the camera. The lens adjusts the optical path accordingly, ensuring that any type of motion blur is corrected before the sensor captures the image.
A true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.
At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
The zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.
Aperture
With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
Similar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.
A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.
A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
Focus
Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
3.has a silent focus motor built into the lens
✔Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
✖Zeiss Batis 25mm F2
Lenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.
With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.
This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.
Benchmarks
1.sharpness result
Unknown. Help us by suggesting a value. (Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II)
22P-MPix
The sharpness result from the DxOMark set of metrics. This result is based on the MTF (modulation transfer function) measurement, and gives an overall indication of the sharpness of images produced by the lens. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
2.DxOMark score
Unknown. Help us by suggesting a value. (Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II)
39
DxOMark is a set of tests to measure the performance and quality of lenses and cameras. The DxOMark score is the overall score given to the lens. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
3.transmission
Unknown. Help us by suggesting a value. (Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II)
2TStop
The transmission result from the DxOMark set of metrics. Transmission refers to the amount of light that reaches the sensor through all of the glass elements of a lens, with a lower TStop signifying more light. This is important as less light reaching the sensor can lead to the requirement of higher ISOs or slower shutter speeds. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
4.distortion
Unknown. Help us by suggesting a value. (Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II)
0.5%
The distortion result from the DxOMark set of metrics. Distortion in the lens refers to the variation of magnification throughout the image. More distortion will result in straight lines being recorded incorrectly in the image. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
5.vignetting
Unknown. Help us by suggesting a value. (Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II)
-2.5
The vignetting result from the DxOMark set of metrics. Vignetting refers to when the brightness of an image changes from the center towards the edges, resulting in darkened corners. A result of 0 is perfect and the image will have no vignetting. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
6.chromatic aberration
Unknown. Help us by suggesting a value. (Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II)
6µm
The lateral chromatic aberration result from the DxOMark set of metrics. Chromatic aberration is a type of distortion which results in color fringing along edges within the image. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.
Price comparison
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
| Product | Store | Price | |
|---|---|---|---|
| Fujifilm XC 16-50mm f/3.5-5.6 OIS Lens (...Fujifilm XC 16-50mm f/3.5-5.6 OIS Lens (Black) (Bulk Packaging) | $370 | ||
| Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount...Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount Retractable Zoom Lens (Bulk Packaging) | $155 | ||
| Sony SELP1650 16-50mm OSS Lens: Sony E P...Sony SELP1650 16-50mm OSS Lens: Sony E PZ 16-50mm f/3.5-5.6 OSS Lens (Black) + Pro Starter Bundle Kit Combo - International Version (1 Year Warranty) | $165 | ||
| Fujifilm 50-230mm f/4.5-6.7 XC OIS II Zo...Fujifilm 50-230mm f/4.5-6.7 XC OIS II Zoom Lens (Black) | $349 | ||
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