Fujifilm Fujinon XF 16-55mm F2.8 R LM WR
Fujifilm Fujinon XF 16-55mm F2.8 R LM WR
Top 44%83 points
Top 44%

Fujifilm Fujinon XF 16-55mm F2.8 R LM WR: 15 facts and highlights

1. widest aperture at maximum focal length

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
2.8
Leica Summilux-TL 35 mm f/1.4 ASPH: 1.4

2. widest aperture

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
f/2.8
Leica Summilux-TL 35 mm f/1.4 ASPH: f/1.4

3. Weather sealed

Device is protected with extra seals to prevent failures due to any kind of weather.
Fujifilm Fujinon XF 16-55mm F2.8 R LM WR
29% have it

4. minimum focus distance

This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.
0.3m
Samsung NX 10mm F3.5 Fisheye: 0.09m

5. minimum angle of view

At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
29°
Olympus M.Zuiko ED 75-300mm F4.8-6.7 II: 4.1°

6. minimum focal length

A shorter minimum focal length allows you to get more of the scene in the photo, and offers a wider angle of view than longer focal lengths.
16mm
Olympus M.Zuiko ED 14-42mm F3.5-5.6 EZ: 0.25mm

7. Is a normal lens

A normal lens is one that doesn't fall into another category such as wide angle or telephoto, and typically has a focal length between 35mm and 70mm. These lenses aren't tailored towards a specific type of photography, and so are quite versatile.
Fujifilm Fujinon XF 16-55mm F2.8 R LM WR
27% have it

8. maximum focal length

A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
55mm
Olympus M.Zuiko ED 75-300mm F4.8-6.7 II: 300mm

9. maximum angle of view

At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
83.2°
Samyang 8mm F/2.8 UMC Fish-eye: 180°

10. aperture blades

The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.
9
Sony FE 16-35mm f/2.8 GM: 11

11. Has a metal mount

A metal mount is generally superior to a plastic mount as it is more durable.
Fujifilm Fujinon XF 16-55mm F2.8 R LM WR
94% have it

12. magnification

A true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.
0.16x
Leica Vario-Elmarit-SL 24-90mm F2.8-4 ASPH: 14x

13. Has focus motor

Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
Fujifilm Fujinon XF 16-55mm F2.8 R LM WR
91% have it

14. weight

655g
Samsung NX-M 9mm F3.5 ED: 31g

15. Has rounded aperture blades

Similar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.
Fujifilm Fujinon XF 16-55mm F2.8 R LM WR
74% have it
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