Leica Summicron-TL 23mm f/2 ASPHSony E 18-55mm F3.5-5.6 OSS
Top 23%94 points
Top 23%
Top 22%95 points
Top 22%
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
vs

Leica Summicron-TL 23mm f/2 ASPH vs Sony E 18-55mm F3.5-5.6 OSS: 24 facts in comparison

1. Has full-time manual focus

With full-time manual focus you can move the focus ring whilst it is in AF (auto focus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
61% have it

2. widest aperture at maximum focal length

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
2
Leica Summilux-TL 35 mm f/1.4 ASPH: 1.4
5.6

3. minimum focus distance

This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.
0.3m
Samsung NX 10mm F3.5 Fisheye: 0.09m
0.25m

4. has built-in optical image stabilization

Optical image stabilization uses gyroscopic sensors to detect the vibrations of the camera. The lens adjusts the optical path accordingly, ensuring that any type of motion blur is corrected before the sensor captures the image.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
37% have it

5. Weather sealed

Device is protected with extra seals to prevent failures due to any kind of weather.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
29% have it

6. Front element doesn't rotate

The front element doesn’t rotate. This is important if you use filters, as some such as polarising or gradient filters have to be orientated a certain way.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
62% have it

7. Can focus to infinity

Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
62% have it

8. has or is a prime lens

A prime lens has a fixed focal length. In general, these are sharper, with a wider aperture.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
48% have it

9. Has focus motor

Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
91% have it

10. Lens hood is reversible

The lens hood can screw onto the lens in reverse so that you can keep it on your camera at all times, ready to use.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
22% have it

11. Includes lens hood

It comes with a lens hood so that you don’t have to buy it separately. These are used to block strong light sources, such as the sun, from the lens to prevent glare and lens flare.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
57% have it

12. minimum angle of view

At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
64°
Olympus M.Zuiko ED 75-300mm F4.8-6.7 II: 4.1°
29°

13. Has rounded aperture blades

Similar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
74% have it

14. optical zoom

The zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.
1x
Samsung NX 18-200mm F3.5-6.3 ED OIS: 11x
3x

15. magnification

A true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.
0.8x
Leica Vario-Elmarit-SL 24-90mm F2.8-4 ASPH: 14x
0.3x

16. minimum focal length

A shorter minimum focal length allows you to get more of the scene in the photo, and offers a wider angle of view than longer focal lengths.
23mm
Olympus M.Zuiko ED 14-42mm F3.5-5.6 EZ: 0.25mm
18mm

17. maximum focal length

A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
23mm
Olympus M.Zuiko ED 75-300mm F4.8-6.7 II: 300mm
55mm

18. widest aperture

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
2f
Leica Summilux-TL 35 mm f/1.4 ASPH: 1.4f
3.5f

19. Has a metal mount

A metal mount is generally superior to a plastic mount as it is more durable.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
94% have it

20. weight

40g lighter.
154g
Samsung NX-M 9mm F3.5 ED: 31g
194g

21. Is a wide angle lens

A wide angle lens is great for capturing larger areas of a scene, such as when doing architectural or landscape photography.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
27% have it

22. has a silent focus motor built into the lens

Lenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
39% have it

23. Is a normal lens

A normal lens is one that doesn't fall into another category such as wide angle or telephoto, and typically has a focal length between 35mm and 70mm. These lenses aren't tailored towards a specific type of photography, and so are quite versatile.
Leica Summicron-TL 23mm f/2 ASPH
Sony E 18-55mm F3.5-5.6 OSS
27% have it

24. maximum angle of view

At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
64°
Samyang 8mm F/2.8 UMC Fish-eye: 180°
76°

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