Leica Summilux-M 35mm F/1.4 ASPH
|Leica 35mm f/1.4 ASPH Summilux-M for Lei...Leica 35mm f/1.4 ASPH Summilux-M for Leica M Series Cameras||$5,894.98|
|Leica 11675 Summilux-M 35mm f/1.4 ASPH W...Leica 11675 Summilux-M 35mm f/1.4 ASPH Wide-Angle Lens, Silver||$6,095.00|
|Leica 11671 Summarit-M 35mm/f2.4 ASPH Wi...Leica 11671 Summarit-M 35mm/f2.4 ASPH Wide-Angle Lens, Black||$2,195.00|
|Leica 50mm f/1.4 Summilux-M Aspherical M...Leica 50mm f/1.4 Summilux-M Aspherical Manual Focus Lens (11891)||$4,395.00|
|Leica 35mm f/1.4 Summilux-M ASPH. Lens||$4,523.23|
|Leica 50mm f/1.4 SUMMILUX-M Aspherical, ...Leica 50mm f/1.4 SUMMILUX-M Aspherical, Manual Focus Lens for M System - Black Chrome - U.S.A. Warranty||$5,095.00|
|PANASONIC LUMIX G Leica DG SUMMILUX Lens...PANASONIC LUMIX G Leica DG SUMMILUX Lens, 25mm, F1.4 ASPH, Mirrorless Micro Four Thirds, H-X025 (USA Black)||$597.99|
|Panasonic Lumix G Leica DG Vario-Summilu...Panasonic Lumix G Leica DG Vario-Summilux 10-25mm, F1.7 ASPH. Lens, Stepless Aperture, Video Performance, Mirrorless Micro Four Thirds Mount, H-X1025||$1,797.99|
A metal mount is generally superior to a plastic mount as it is more durable.
A shorter minimum focal length allows you to get more of the scene in the photo, and offers a wider angle of view than longer focal lengths.
Canon EF 35mm F/2 IS USM
A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
Sigma 300-800mm F5.6 EX DG APO HSM
Canon EF 400mm F/4 DO IS II USM
A macro lens is used to take very close-up photos, allowing you to capture flowers, insects etc. in great detail. A macro lens is any lens with 1:1 magnification.
The front element doesn’t rotate. This is important if you use filters, as some such as polarising or gradient filters have to be orientated a certain way.
At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
Leica APO-Summicron-SL 75mm f/2 ASPH
At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
Tamron SP 150-600mm F/5-6.3 Di VC USD
With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject. Show more
Nikon Nikkor Z 58mm f/0.95 S Noct
With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
Nikon Nikkor Z 58mm f/0.95 S Noct
The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.
Leica Thambar-M 90mm f/2.2
Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.
Lensbaby Circular Fisheye
With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.