106points

Olympus M.Zuiko ED 60mm F2.8 Macro

86points

Sony E PZ 16-50mm F3.5-5.6 OSS

Comparison winner
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS
vs
vs

24 facts in comparison

Olympus M.Zuiko ED 60mm F2.8 Macro vs Sony E PZ 16-50mm F3.5-5.6 OSS

Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS
106
points
86
points

Why is Olympus M.Zuiko ED 60mm F2.8 Macro better than Sony E PZ 16-50mm F3.5-5.6 OSS?

  • Has full-time manual focus
  • Has or is a prime lens
  • 20% wider aperture at minimum focal length
    f/2.8 vs3.5f
  • 2.8f wider aperture at maximum focal length
    2.8fvs5.6f
  • 0.06m shorter minimum focus distance
    0.19mvs0.25m
  • Weather sealed
  • Is a macro lens
  • 12° narrower minimum angle of view
    20°vs32°

Why is Sony E PZ 16-50mm F3.5-5.6 OSS better than Olympus M.Zuiko ED 60mm F2.8 Macro?

  • 14f smaller aperture at maximum focal length
    36fvs22f
  • 69g lighter
    116gvs185g
  • Is a normal lens
  • 44mm shorter minimum focal length
    16mmvs60mm
  • 2.1x greater zoom range
    3.1xvs1x
  • 63° wider maximum angle of view
    83°vs20°

General info

1.has or is a prime lens
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

A prime lens has a fixed focal length. In general, these are sharper, with a wider aperture.

2.Weather sealed
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

Device is protected with extra seals to prevent failures due to any kind of weather.

3.Front element doesn't rotate
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

The front element doesn’t rotate. This is important if you use filters, as some such as polarising or gradient filters have to be orientated a certain way.

4.Has a metal mount
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

A metal mount is generally superior to a plastic mount as it is more durable.

5.weight

185g

116g

Best

Canon EF 400mm F/4 DO IS II USM

2.1g

6.Is a normal lens
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

A normal lens is one that doesn't fall into another category such as wide angle or telephoto, and typically has a focal length between 35mm and 70mm. These lenses aren't tailored towards a specific type of photography, and so are quite versatile.

Optics

1.has built-in optical image stabilization
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

Optical image stabilization uses gyroscopic sensors to detect the vibrations of the camera. The lens adjusts the optical path accordingly, ensuring that any type of motion blur is corrected before the sensor captures the image.

2.optical zoom

1x

3.1x

The zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.

Best

Tamron 18-400mm f/3.5-6.3 Di II VC HLD

22.2x

3.maximum angle of view

20°

83°

At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).

Best

Leica APO-Summicron-SL 75mm f/2 ASPH

318°

4.minimum angle of view

20°

32°

At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).

Best

Tamron SP 150-600mm F/5-6.3 Di VC USD

Aperture

1.widest aperture

f/2.8

f/3.5

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.

Best

Samyang XP 50mm f/1.2

f/1.2

2.widest aperture at maximum focal length

2.8f

5.6f

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.

Best

Samyang XP 50mm f/1.2

1.2f

3.smallest aperture at maximum focal length

22f

36f

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.

Best

Pentax HD DA 560mm F5.6 ED AW

45f

4.Has rounded aperture blades
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

Similar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.

5.smallest aperture at minimum focal length

22f

22f

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.

Best

Pentax HD DA 560mm F5.6 ED AW

45f

6.aperture blades

7

7

The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.

Best

Lensbaby Velvet 85

12

Focus

1.Has full-time manual focus
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.

2.minimum focus distance

0.19m

0.25m

This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.

Best

Zeiss Batis 40mm f/2 CF

0.02m

3.Can focus to infinity
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.

4.has a silent focus motor built into the lens
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

Lenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.

5.Has focus motor
Olympus M.Zuiko ED 60mm F2.8 Macro
Sony E PZ 16-50mm F3.5-5.6 OSS

Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.

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