79points

Sigma 10-20mm F3.5 EX DC HSM

68points

Tokina 11-16mm F/2.8 AT-X Pro DX II

Comparison winner
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II
vs
vs

29 facts in comparison

Sigma 10-20mm F3.5 EX DC HSM vs Tokina 11-16mm F/2.8 AT-X Pro DX II

Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II
79
points
68
points

Why is Sigma 10-20mm F3.5 EX DC HSM better than Tokina 11-16mm F/2.8 AT-X Pro DX II?

  • 1mm shorter minimum focal length
    10mmvs11mm
  • Has full-time manual focus
  • Has a metal mount
  • Has rounded aperture blades
  • Front element doesn't rotate
  • 13µm less chromatic aberration
    12µmvs25µm
  • 0.06m shorter minimum focus distance
    0.24mvs0.3m
  • 0.2% less distortion
    0.4%vs0.6%

Why is Tokina 11-16mm F/2.8 AT-X Pro DX II better than Sigma 10-20mm F3.5 EX DC HSM?

  • 20% wider aperture at minimum focal length
    f/2.8 vs3.5f
  • 0.7f wider aperture at maximum focal length
    2.8fvs3.5f
  • 1 higher DxOMark score
    15vs14
  • 0.4TStop more transmission
    3.1TStopvs3.5TStop
  • 2 more aperture blades
    9vs7
  • 1.6° wider maximum angle of view
    104°vs102.4°
  • 0.4 less vignetting
    -0.8vs-1.2

Top specs and features

General info

1.minimum focal length

10mm

11mm

A shorter minimum focal length allows you to get more of the scene in the photo, and offers a wider angle of view than longer focal lengths.

Best

Canon EF 35mm F/2 IS USM

0.24mm

2.Is a wide angle lens
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

A wide angle lens is great for capturing larger areas of a scene, such as when doing architectural or landscape photography.

3.maximum focal length

20mm

16mm

A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.

Best

Sigma 300-800mm F5.6 EX DG APO HSM

800mm

4.Front element doesn't rotate
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

The front element doesn’t rotate. This is important if you use filters, as some such as polarising or gradient filters have to be orientated a certain way.

5.Has a metal mount
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

A metal mount is generally superior to a plastic mount as it is more durable.

6.Includes lens hood
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

It comes with a lens hood so that you don’t have to buy it separately. These are used to block strong light sources, such as the sun, from the lens to prevent glare and lens flare.

Optics

1.optical zoom

2x

1.45x

The zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.

Best

Tamron 18-400mm f/3.5-6.3 Di II VC HLD

22.2x

2.magnification

0.15x

0.09x

A true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.

Best

Leica Vario-Elmarit-SL 24-90mm F2.8-4 ASPH

14x

3.maximum angle of view

102.4°

104°

At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).

Best

Leica APO-Summicron-SL 75mm f/2 ASPH

318°

4.minimum angle of view

63.8°

84°

At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).

Best

Tamron SP 150-600mm F/5-6.3 Di VC USD

Aperture

1.widest aperture

f/3.5

f/2.8

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.

Best

Samyang XP 50mm f/1.2

f/1.2

2.widest aperture at maximum focal length

3.5f

2.8f

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.

Best

Samyang XP 50mm f/1.2

1.2f

3.Has rounded aperture blades
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

Similar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.

4.smallest aperture at maximum focal length

22f

22f

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.

Best

Pentax HD DA 560mm F5.6 ED AW

45f

5.aperture blades

7

9

The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.

Best

Lensbaby Velvet 85

12

6.smallest aperture at minimum focal length

22f

22f

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.

Best

Pentax HD DA 560mm F5.6 ED AW

45f

Focus

1.Has full-time manual focus
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

With full-time manual focus, you can move the focus ring whilst it is in AF (autofocus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.

2.has a silent focus motor built into the lens
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

Lenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.

3.Has focus motor
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.

4.Can focus to infinity
Sigma 10-20mm F3.5 EX DC HSM
Tokina 11-16mm F/2.8 AT-X Pro DX II

Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.

5.minimum focus distance

0.24m

0.3m

This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.

Best

Zeiss Batis 40mm f/2 CF

0.02m

Benchmarks

1.sharpness result

8P-MPix

8P-MPix

The sharpness result from the DxOMark set of metrics. This result is based on the MTF (modulation transfer function) measurement, and gives an overall indication of the sharpness of images produced by the lens. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.

Best

Zeiss Batis 25mm F2

22P-MPix

2.DxOMark score

14

15

DxOMark is a set of tests to measure the performance and quality of lenses and cameras. The DxOMark score is the overall score given to the lens. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.

Best

Zeiss Batis 25mm F2

39

3.transmission

3.5TStop

3.1TStop

The transmission result from the DxOMark set of metrics. Transmission refers to the amount of light that reaches the sensor through all of the glass elements of a lens, with a lower TStop signifying more light. This is important as less light reaching the sensor can lead to the requirement of higher ISOs or slower shutter speeds. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.

Best

Canon EF 85mm F/1.2L II USM

1.4TStop

4.chromatic aberration

12µm

25µm

The lateral chromatic aberration result from the DxOMark set of metrics. Chromatic aberration is a type of distortion which results in color fringing along edges within the image. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.

Best

Nikon AF Micro-Nikkor 200mm F/4D IF-ED

1µm

5.distortion

0.4%

0.6%

The distortion result from the DxOMark set of metrics. Distortion in the lens refers to the variation of magnification throughout the image. More distortion will result in straight lines being recorded incorrectly in the image. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.

Best

Zeiss Otus 85mm F/1.4 ZF

0%

6.vignetting

-1.2

-0.8

The vignetting result from the DxOMark set of metrics. Vignetting refers to when the brightness of an image changes from the center towards the edges, resulting in darkened corners. A result of 0 is perfect and the image will have no vignetting. Tested with Nikon D7000 or Canon 7D. Source: DxOMark.

Best

Canon EF 24mm F/2.8 IS USM

2

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