Sigma 60mm F2.8 DN AFujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
Top 24%93 points
Top 24%
Top 29%87 points
Top 29%
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
vs

Sigma 60mm F2.8 DN A vs Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II: 27 facts in comparison

1. widest aperture at maximum focal length

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
2.8
Leica Summilux-TL 35 mm f/1.4 ASPH: 1.4
5.6

2. Has full-time manual focus

With full-time manual focus you can move the focus ring whilst it is in AF (auto focus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
61% have it

3. has or is a prime lens

A prime lens has a fixed focal length. In general, these are sharper, with a wider aperture.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
48% have it

4. minimum focus distance

This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.
0.5m
Samsung NX 10mm F3.5 Fisheye: 0.09m
0.15m

5. Front element doesn't rotate

The front element doesn’t rotate. This is important if you use filters, as some such as polarising or gradient filters have to be orientated a certain way.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
62% have it

6. Can focus to infinity

Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
62% have it

7. has built-in optical image stabilization

Optical image stabilization uses gyroscopic sensors to detect the vibrations of the camera. The lens adjusts the optical path accordingly, ensuring that any type of motion blur is corrected before the sensor captures the image.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
37% have it

8. Weather sealed

Device is protected with extra seals to prevent failures due to any kind of weather.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
29% have it

9. Has focus motor

Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
91% have it

10. Has rounded aperture blades

Similar to the number of aperture blades, rounded blades affect the way the light gets through to the sensor. Rounded blades, often only found on more expensive lenses, improve the appearance of the out-of-focus areas. This allows you to attain better, softer looking bokeh in your photos.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
74% have it

11. Has a metal mount

A metal mount is generally superior to a plastic mount as it is more durable.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
94% have it

12. widest aperture

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
2.8f
Leica Summilux-TL 35 mm f/1.4 ASPH: 1.4f
3.5f

13. magnification

A true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.
0.14x
Leica Vario-Elmarit-SL 24-90mm F2.8-4 ASPH: 14x
0.2x

14. maximum focal length

A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
60mm
Olympus M.Zuiko ED 75-300mm F4.8-6.7 II: 300mm
50mm

15. minimum focal length

A shorter minimum focal length allows you to get more of the scene in the photo, and offers a wider angle of view than longer focal lengths.
60mm
Olympus M.Zuiko ED 14-42mm F3.5-5.6 EZ: 0.25mm
16mm

16. smallest aperture at maximum focal length

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
22
Sony E PZ 18-200mm F3.5-6.3 OSS: 40
22

17. smallest aperture at minimum focal length

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
22
Sony E 18-200mm F3.5-5.6 OSS LE: 40
22

18. maximum angle of view

At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
20.4°
Samyang 8mm F/2.8 UMC Fish-eye: 180°
83.2°

19. minimum angle of view

At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
20.4°
Olympus M.Zuiko ED 75-300mm F4.8-6.7 II: 4.1°
31.7°

20. optical zoom

The zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.
1x
Samsung NX 18-200mm F3.5-6.3 ED OIS: 11x
3.1x

21. Lens hood is reversible

The lens hood can screw onto the lens in reverse so that you can keep it on your camera at all times, ready to use.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
22% have it

22. Includes lens hood

It comes with a lens hood so that you don’t have to buy it separately. These are used to block strong light sources, such as the sun, from the lens to prevent glare and lens flare.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
57% have it

23. Is a telephoto lens

A telephoto lens allows you to zoom in on far away objects. This is particularly useful when you need to photograph a subject from a distance, such as wildlife photography, or even in some cases street photography where you can’t get near the subject.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
36% have it

24. aperture blades

The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.
7
Sony FE 16-35mm f/2.8 GM: 11
7

25. has a silent focus motor built into the lens

Lenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.
Sigma 60mm F2.8 DN A
Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
39% have it

Top 10 mirrorless camera lenses

Add to comparison
  • Sigma 60mm F2.8 DN A
  • Fujifilm Fujinon XC 16-50mm F/3.5-5.6 OIS II
Compare
This page is currently only available in English.