Tamron 18-200mm F3.5-6.3 Di III VC
Tamron 18-200mm F3.5-6.3 Di III VC
Top 17%123 points
Top 17%

Tamron 18-200mm F3.5-6.3 Di III VC: 20 facts and highlights

1. Has full-time manual focus

With full-time manual focus you can move the focus ring whilst it is in AF (auto focus) mode. This means that you can make manual adjustments once the AF has finished, without changing to manual mode.
Tamron 18-200mm F3.5-6.3 Di III VC
61% have it

2. widest aperture at maximum focal length

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
6.3
Leica Summilux-TL 35 mm f/1.4 ASPH: 1.4

3. widest aperture

With a wider aperture the sensor can capture more light, helping to avoid blur by enabling a faster shutter speed. It also provides a shallow depth of field, allowing you to blur the background to focus attention on the subject.
f/3.5
Leica Summilux-TL 35 mm f/1.4 ASPH: f/1.4

4. has built-in optical image stabilization

Optical image stabilization uses gyroscopic sensors to detect the vibrations of the camera. The lens adjusts the optical path accordingly, ensuring that any type of motion blur is corrected before the sensor captures the image.
Tamron 18-200mm F3.5-6.3 Di III VC
37% have it

5. smallest aperture at maximum focal length

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
40
Sony E PZ 18-200mm F3.5-6.3 OSS: 40

6. minimum focus distance

This is the closest distance that the lens can focus. A shorter minimum focus distance allows you to get closer to your subject, and is particularly important when doing macro photography.
0.5m
Samsung NX 10mm F3.5 Fisheye: 0.09m

7. Can focus to infinity

Many lenses allow you to focus to infinity. This is essential when you wish to take photos including far off objects, such as when shooting landscapes, in order to make sure everything is sharp and in focus.
Tamron 18-200mm F3.5-6.3 Di III VC
62% have it

8. aperture blades

The aperture controls how much light gets through to the camera’s sensor. More blades is often an indicator of a better quality lens. It also allows you to achieve much nicer looking bokeh when blurring out your background, whereas a lens with less blades will often produce harsher, more polygonal bokeh.
7
Sony FE 16-35mm f/2.8 GM: 11

9. maximum focal length

A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths.
200mm
Olympus M.Zuiko ED 75-300mm F4.8-6.7 II: 300mm

10. magnification

A true macro lens has a magnification of 1:1. This means that the image produced is a life-size representation of the subject being photographed.
0.27x
Leica Vario-Elmarit-SL 24-90mm F2.8-4 ASPH: 14x

11. minimum focal length

A shorter minimum focal length allows you to get more of the scene in the photo, and offers a wider angle of view than longer focal lengths.
18mm
Olympus M.Zuiko ED 14-42mm F3.5-5.6 EZ: 0.25mm

12. Has focus motor

Lenses with a built-in focus motor can autofocus even if the camera does not have its own focus motor.
Tamron 18-200mm F3.5-6.3 Di III VC
91% have it

13. smallest aperture at minimum focal length

A smaller aperture reduces the amount of light reaching the sensor. This is important in bright conditions where a wider aperture could result in your image being overexposed. Another advantage is that with a smaller aperture you get a greater depth of field, and can keep all of the image in focus.
22
Sony E 18-200mm F3.5-5.6 OSS LE: 40

14. weight

460g
Samsung NX-M 9mm F3.5 ED: 31g

16. Has a metal mount

A metal mount is generally superior to a plastic mount as it is more durable.
Tamron 18-200mm F3.5-6.3 Di III VC
94% have it

17. minimum angle of view

At the longest end of the lens you get the narrowest angle of view. This allows you to fit a small portion of the scene into the photograph, such as when you are zooming in on a subject (based on APS-C format).
Olympus M.Zuiko ED 75-300mm F4.8-6.7 II: 4.1°

18. maximum angle of view

At the shorter end of the lens you get the widest angle of view. This allows you to fit more of the scene into the photograph (based on APS-C format).
76°
Samyang 8mm F/2.8 UMC Fish-eye: 180°

19. Includes lens hood

It comes with a lens hood so that you don’t have to buy it separately. These are used to block strong light sources, such as the sun, from the lens to prevent glare and lens flare.
Tamron 18-200mm F3.5-6.3 Di III VC
57% have it

20. optical zoom

The zoom range is the ratio between the longest and shortest focal lengths. A higher zoom range means that the lens is more versatile.
11x
Samsung NX 18-200mm F3.5-6.3 ED OIS: 11x

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